Adidas Super Star Wars Darth Vader and Yoda Collectibles

Sean Jordan Presents Hayes ft Ya Boy

Producer Timbaland Exclusive Giveaway!

Producer Timbaland has been found on Twitter! The first 1000 "twiggas or twitches" who tweets Twimbaland, i mean Timbaland, receive 25 free ringtone downloads! Thanks Timbo! Your'e a swell guy!

"_RealTimbaland" Is that you Timbo? If not somebody is on one!

The Red Pill - Power To The Producer!

The Red Pill - Power To The Producer!
The second you decide to turn your artistic expression into a commercial commodity you have officially entered the world of business. The pursuit of financial gain made possible by an existing business structure is what separates the professional from the hobbyist, the restaurant chef from Mom cooking for the fam, Kobe Bryant from the kids grabbing quarters off the backboards at your neighborhood ball court. It would be nice to just focus on your creative output and hope somehow the monetary part of the equation figures itself out, but who wants a room full of platinum plaques and past due bill notes? Not you I hope. As a music producer your main BUSINESS client is not the record company but rather the music consumer. The artist is your creative marketing tool (when last have you heard of an acapella commercial record?). Even though a label may issue an advance against potential future earnings, it ultimately comes down to the fan being willing to pay for the music you create

-Excerpt from "Production Market Place" (www.pmpworldwide.com)

YouTube Ordered To Pay $1.6 Million To ASCAP

You may remember last year around this time, a district court set a totally arbitrary royalty fee that AOL, Yahoo and RealNetworks had to pay ASCAP for music streamed over their services. Reading through the details of the decision was immensely troubling, because it seemed to calculate the amounts on a somewhat meaningless formula based on taking a percentage of revenue from the companies that had absolutely nothing to do with music itself. Basically, it looked at almost any revenue that somehow sorta kinda touched on music (including search) and included that as part of the calculation process. Recently, ASCAP and Google went through a similar case in front of the same district court to determine just how much Google has to pay ASCAP for all the music streamed on YouTube. To be honest, I'm still not sure why it makes sense that Google has to pay anything for this, but that's one of the oddities of modern copyright law.

While the decision hasn't received much press attention, last week, the court ordered Google to pay $1.6 million to ASCAP (thanks to Eric Goldman for sending me the decision). The court seemed to take a "split the difference" approach, as ASCAP had asked for $12 million for all music streamed between 2005 and the end of 2008 (and another $7 million for 2009). YouTube, in response, had suggested $79,500 for 2005 through the end of 2008 and then $20,000 per quarter ongoing. The court rejected both proposals, and dinged both companies for weakly supporting their positions, or being somewhat misleading in their assertions. Google, for instance, tried to focus on the number of "music videos" as compared to the total number of videos on YouTube, though the court noted that the music videos seem to get a lot more views than many of those other videos, and it doesn't take into account the time spent viewing each video. ASCAP basically said: "just take that formula you used last year for AOL, Yahoo and Real and apply it to Google revenue."

The court, instead, went into a lengthy justification of trying to come up with a "fair" proposal, involving an awful lot of redacted information on YouTube's revenue (though... if you work through all the numbers you might be able to piece back together some revenue info) and eventually came up with $1.4 million for 2005 through 2008, and then $70,000 per month afterwards, which, when added to the additional fees this year, brought it up to $1.61 million to date (and counting). Of course, this is all supposed to be a temporary sort of thing until the two sides can work out an agreement on their own -- but given the vast differences in proposals (as the court noted, ASCAP was asking for a rate 150 times as large as YouTube's proposal), it doesn't seem like the two sides are close.

Either way, reading this ruling as well as last year's ruling shows what a total mess this process is. Basically, ASCAP gets to go in and demand cash from anyone who benefits from music anywhere, and a judge sorta randomly makes up reasons to give them cash. I know that ASCAP supporters will claim that the money is for songwriters, not the record labels, and it's important and blah blah blah. But the whole system of such collective licenses is a mess that it makes it close to impossible to do anything with music without getting yourself into a huge licensing hole. For more than a century now, Congress and the courts seem to look at every innovation and simply slap another license fee on it, and leave it to the courts to sort out any mess. All of these license fees add up to a massive tax on innovation that divert money from good business models and into the hands of collections societies, who siphon off a piece and often don't do a very good job distributing that cash. It's a massively inefficient model that's simply not needed.

Rapper's shooting

Roderick Anthony Burton II, a.k.a. Dolla, was killed in a confrontation Monday afternoon between two groups in the valet parking area of the Beverly Center.

Phillies Friday at 1600 Pennsylvania...

May 16, 2009
Faced with the opportunity to finally meet President Barack Obama on Friday, Jimmy Rollins wasn't sure what he'd say to the man for whom he helped campaign in early November. He has never been shy, and over the years, he has met plenty of celebrities.
"But not one this important," Rollins said.
And when the moment arrived and Rollins was face-to-face with Obama, the conversation took an unexpected turn.
"I asked him where the basketball court is, and he said, 'I've got a foot on you,'" said Rollins, the Phillies' 5-foot-9 shortstop. "He tried to post me up. I told him I'm too quick. So, hopefully, I'll get that invite. When the hardwood's done, I'll throw a couple layups on him."
And that was how it went Friday at 1600 Pennsylvania Avenue.

A Grand Slam For the Phillies and President Obama!